27 June 2008

Yeah, yeah. It's Friday. So sue me! For this week's "'Artists I Love': Burlesque Edition" we turn to one of my all-time favorite performers, and Miss Viva Las Vegas 2008. It's none other than the very tall, very sassy ...

Dizzy Von Damn!

photo by Laura Creecy, swiped from Dizzy's Myspace site

Yes, the exclamation point is part of her name.

Comedy is a big part of Burlesque. It's right there in the name (the derivation of burlesque is the Latin for "nonsense" or "joke"). With the unshakable logic of a Vulcan, Dizzy takes a concept, finds the comedic germ at the heart of it, and proceeds to rhinestone the hell out of it. Of all the performers I've seen who are based in L.A., Dizzy comes the closest to out-right performance art. This is not to say she doesn't bring the sexiness. Ho-boy does she ever! It just means that when she performs, the genius behind the act is irresistible, so that every hoot is punctuated by a guffaw.

Each reveal seems to have its own punchline. Her "Peek-a-Boo" number is a prime example of this. I don't want to give too much away, but through the course of the act eyeballs keep popping up. And every time an article of clothing comes off (revealing yet another eyeball or two) the response is simply riotous. Her numbers possess a finely focused unity of concept throughout that really set them apart. She speaks a bit about how she comes up with these numbers on a past Burlesque Podcast.

photo by Dan Hendricks, also swiped from Dizzy's Myspace site.

Check out the bra: not just eyes, but they're blinking. So don't get the wrong impression of Dizzy, that she's a coldly calculating comedian. Understand that these numbers work as well as they do because of the personal whimsy she injects. (Does that make her more of a Romulan than a Vulcan?)

Dizzy is drifting in the direction of hosting, which I would love to see. She has an infectious smile and an appealing onstage presence, and I believe she'd excel in the role of emcee. Dizzy can hold an audience in the palm of her hand, as when she takes the stage to deliver her "Off Color Joke" at Victory Variety Hour. And she recently revealed another hidden talent, singing "Somewhere That's Green" at The Monday Night Tease.

Dizzy Von Damn! is a featured regular in Burlesque-a-Go-Go at Mr. T's Bowl in Highland Park, and in Victory Variety Hour at El Cid. She can also be seen frequently at The Monday Night Tease at 3 Clubs in Hollywood. Your best bet is to befriend her on MySpace, and look for performance dates as bulletins.

E2: The Everything Test 2

There are many different types of tests on the internet today. Personality tests, purity tests, stereotype tests, political tests. But now, there is one test to rule them all.Traditionally, online tests would ask certain questions about your musical tastes or clothing for a stereotype, your experiences for a purity test, or deep questions for a personality test.We're turning that upside down - all the questions affect all the results, and we've got some innovative results too!
Version 2 is leaner, meaner, and features a more mature and varied set of questions than the previous test. Enjoy!
Character Traits
Analytical20%
Artistic78%
Driven0%
Emotional50%
Horny71%
Independent0%
Musical82%
Optimistic0%
Outgoing0%
Political100%
Religious27%
Romantic50%
Social0%
Life Experience
Criminality0%
Intellectual100%
Relationships40%
Sexuality40%
Travel32%
PoliticsYour political views would best be described as Libertarian, while philosophically you tend to think like a Conservative. Socioeconomic
Your attitude toward life best associates you with Middle Class. You make more than 69% of those who have taken this test, and 31% less than the U.S. average.
You tend to think more like an artist than an engineer. Location-wise, you would probably be a good fit for the City.
TAKE THE TEST
brought to you by thatsurveysite


Bizarre. Pammy did this quiz, and I had to take it myself to really understand ... at times it feels like a covert blackmail operation.

I would like to know how it's possible to both have libertarian political views and be philosophically conservative. Not exactly the same thing. (I highly endorse the World's Smallest Political Quiz as the most accurate and most balanced political quiz of all time. Not bad for something invented forty years ago!)

And what the hell do those percentiles mean, anyhow? How is it I score a 40% on relationships? What the hell metric are they using, anyhow?

0% on driven, independent, optimistic, outgoing and social? What the hell kind of no-life sloth am I supposed to be?

I hate these things.

26 June 2008

This week's Tuesday's Artists I Love -- Burlesque Edition! is running a bit late, again.

The problem, in part, is deciding who to write about! There is so much talent in the burlesque scene, it can be a bit overwhelming. And not just the girls, mind you ... there are great hosts like Gary Shapiro and Chris Beyond, sideshow artists like Rev. Tommy Gunn, and musicians like Creekbird. Not to mention the photogs and videographers who are doing the hard work of documenting this moment in time for the ages!

Last night Red and I went to Lucha Va Voom! for the first time, so I have plenty to talk about. Oh heck, I haven't posted anything here about my big Weezer Hootenanny experience! So I have a ton of blogging to do.

20 June 2008

WHAT WE SHOULD HAVE SAID
An Anthology of One Acts for L.A.
My new theatre company is currently presenting an evening of one acts, and I'm involved in two of the plays:

* At the Threshold, which I directed, is an incredible short work by Phillip Kelly. It deals with something I'm all too familiar with, the unstoppable crash of adulthood into an otherwise happy-go-lucky, young adult life. It's a quarter-life-crisis story that's not soppy or self-indulgent. Nor is it too heavy. I'm a big fan of this play, and I literally jumped at the chance to direct it. My cast is just incredible. Jacob Smith, Darci Dixon, Gregory Crafts, Lisa K. Wyatt, Katie Sikema, and Jenn Scuderi bring this work to the stage.

* Three Small People in Very Big Shoes, which I wrote, is a satirical look at backstage life at Disneyland. It's a sex farce expertly helmed by director Jim Blanchette and brought to life by Jacob Smith, Vanessa Hurd and Ana Therese Lopez.

And here's a deal readers of this blog just can't beat: Mention my name at the box office (or when reserving your tickets on our reservation line) and you'll get half off the price of admission this Saturday and Sunday! Holy smokes, that's a good deal!

I'm really proud of the work we've done, and I want to share it with as many people as possible. Because what's the point of doing this stuff if I don't get to share it?

Details: June 12 - 29 , Thursdays through Saturdays at 8pm, Sundays at 7pm At THE COMPLEX in Hollywood, 6468 Santa Monica Blvd. Tickets: Normally $20, half price this Saturday and Sunday if you mention my name (Andrew) To reserve your seats: (818) 849-4039

And after you see the show, come back here and tell me what you thought!

Here's what Pat Taylor at The Tolucan Times and Canyon Crier thought:
"A 'cutting edge' fearless and talented bunch who 'tell it like it is,' just opened this series of gritty, thought-provoking scenes, exploring the complexities of desire, ambitions, regrets, self-identity, love lost, and the delicately diverse art of communication."

"This is an e-ticket ride into the dark and vulnerable psyche of human nature ..."


17 June 2008

(I wanted to post this last week, but life is what happens when you're busy making other plans. Or so I hear. Anyway, I'm going to try to make this a weekly thing, and spotlight a new burlesque performer each week for the rest of the year.)

The Irrepressable
Lili VonSchtupp

photo (by Chris Beyond) swiped from Lili's MySpace page.

Lili is my kind of woman. I likes 'em brassy, and I likes 'em ballsy. And Lili is both, in spades! She's outspoken, confident, and passionate. What's not to love?

There is nothing halfway about this lady. Not only does she perform (bringing to the stage some of the most daring comedic material around ... did you see her in "The Wrong Show" earlier this year?) she also co-produces the longest running weekly burlesque show in Los Angeles, The Monday Night Tease; she co-hosts the Burlesque Podcast; and she manages burlesque411.com, THE online guide to burlesque performances around the world. Oh yeah, she's also a member of the local burlesque photo corps, goes to all the major burlesque events around the country (covering them with the podcast) and she teaches. She's a "Jane-of-all-Trades" and as such a woman after my own heart.

One of the things I admire most is her role as producer. In a past Burlesque Podcast, she gives "a behind the scene look at how the big show happens." This really gives a window into the tight ship she runs along with Scarlet Letter, her co-producer. The Monday Night Tease is seamlessly run, and believe me, I've been to quite a few of them. I think I could count the production "hiccups" on one hand, and attribute all of them to unforeseen emergencies or acts of god.

What's neat is watching her transform from producer to performer.

As a performer, she's all play. I've been struggling with how best to describe her, and what I've come up with is this: Lili is a classic comedienne, like Lucille Ball or Carol Burnett, posessing a "Rat Pack" showmanship that is sorely lacking in the entertainment world at large. If this were the 1950s or early 60s, she would no doubt have her own variety hour on television, (cue announcer's voice:) brought to you by Dewar's finest blended Scotch whisky! She's a class act, even when pouring Dewar's from her bra. She also brings a confident sexiness, an appeal borne of bold self-assurance. And, although she'll tell me to fuck off after she reads this, she's very pretty as well.

If you haven't seen her perform, you have no idea what you're missing. She brings a curious combination of innocence and naughtiness to the stage. Her famed pink poodle number is a perfect example of this. As she chases these little battery-powered pink poodles around the stage (in a perfect interpretation of a circus dog act) her costume seems to fall off on it's own, getting snagged here, torn there. She smiles through each reveal, refocusing the audience's attention on the ridiculous little dogs who fill up the stage. At the end of the routine ... well, I don't want to give anything away. Let's just say she has two final poodles to bring out!

Here's a number I haven't seen live (yet), Lili as "Dead Marilyn Monroe":



She never disappoints, and she always puts on one hell of a show! You can check her out on MySpace or at the Burlesque Podcast.

12 June 2008

Innappropriate Banner Ad:


Seen on Hotmail.

"We're not asking for much ... just an arm and a leg!"

This has got to be a joke.

10 June 2008

... will be posted later this week. Hopefully tomorrow!

In the meantime, huge congrats and much love to Lux LaCroix, who got First Runner-up and "Most Dazzling Performer" at Miss Exotic World this past weekend!


(It's a burlesque tribute to Prince!) You can read about Lux in last week's "Tuesday's 'Artists I Love'".

02 June 2008

The Fierce Lux LaCroix

I'm listening to the Dresden Dolls' "Coin Operated Boy" as I write this. In fact, it was this particular song popping up on my iPod that inspired these words. I can't hear this song without thinking about Lux. She's an incredible dancer and burlesque performer, and I figure since I haven't done one of these "Artists I Love" posts in a while, I would inaugurate a new, burlesque-oriented direction by highlighting this incredible artist.

photo of Lux swiped from her MySpace profile

There is a reason why, when being introduced by emcees all across the burlesque scene, she is called "The Fierce Lux LaCroix." She is a dynamo, both on stage and in person, who can disarm and confound an audience with her energetic stage presence. She has a lithe sexiness, which she displays through her athletic and high-energy choreography. If Lux were merely a great dancer, that would be enough reason to enjoy her as a performer. Combining her prowess as a dancer with a wicked sense of humor and keen aesthetic judgment, Lux never fails to bring down the house.

"Coin-Operated Boy" is my favorite of her numbers. She only performs it in February, just in time for Valentine's Day. Lux takes the stage as a ballerina, dancing with large coin cut-outs. She perfectly captures the wistful whimsy of the Dresden Dolls song, coyly flitting about the stage. At the song's bridge, she begins turning, releasing her large tu-tu-like skirt as she does. The effect is very beautiful and breath-taking; it is both a blossoming and an emergence, and Lux is both flower and butterfly.

This weekend Lux will be competing for the title of Miss Exotic World 2008 in Las Vegas, Nevada. Unfortunately, I can't be there to cheer her on, but I'm certain there will be no shortage of cheers, no lack of applause when she takes the stage. She's an incredible artist and I wish her the best of luck!

* * *

Visit Lux LaCroix's MySpace profile for her latest performance calendar, or check out Burlesque411.com.

You can hear an interview with Lux from the Burlesque Podcast (note: NSFW), hosted by Lili VonSchtupp and Chris Beyond. A couple of updates: Burlesque a Go-Go is currently produced and hosted by Lux and Vixen Violette, and can be found the third Thursday of the month at Mr. T's Bowl in Highland Park.

Here's an all-too-brief clip of Lux performing at Bordello in Downtown LA:


21 May 2008

When Red dances, all is right with the world.

She never fails to pick me up!

So Monday night, I left my cinema class and took the bus down to the Monday Night Tease. In class we had this guest speaker from the WGA speaker program. Just an eye-opening talk about what drives us to make art in general, and film in particular.

On the ride over to the big show, I finally had a chance to catch my breath. Life has become rather non-stop as of late. Not that I'm complaining -- I'm happy to have the "problems" that I have right now (forming a new theatre company, looking for a new job, writing a full-length play that I'm to direct this fall, etc.) -- it's just that Pam and I are always on the move. That doesn't allow much time for one of my favorite activities, what I like to call "frustrated introspection."




(The above is an oldie but a goodie.)

After being pumped up by the guest speaker, I rapidly declined into frustrated introspection. I'm not going to bore you with the gory details, suffice it to say that I'm nowhere near as far along professionally as I'd like to be. (That's probably a universal feeling.)

So I enter 3 Clubs, take my seat, and basically stew in my own juices for fifteen minutes or so waiting for the show to start. And then it starts. And my girl is first up. She's doing her "Monkeywrench" number, to the tune by Foo Fighters. And here is pure joy.

A calm descends upon me, and all my angst drops away. Soon I'm hooting and hollering with the rest of them. And all is right with the world.

I'm exactly where I want to be, doing exactly what I want to do, and I'm traveling through this life with the best partner a guy could ever ask for.

I wish I could've found a picture of her doing "Monkeywrench." Alas, the most recent picture I could find is her "Every Sperm is Sacred" number, also performed at the Monday Night Tease a couple of weeks back. In this number I share the stage with Red, performing singing sperm puppets:

See that face? Pure joy!

02 May 2008

FTW!*
* for the win

Last night, Theatre Unleashed made its debut. Corny jokes were told. Pretty dancing girls danced. Baby food was consumed.

We met and exceeded our fundraising target for the evening! Our venue was sold out. Most importantly, a group of creative individuals came together as a group, and our patchwork quilt of an evening unfolded seamlessly. Last night heard the final ting of the hammer on this thing we started forging back in January. There is no doubt about it; we are a group. So forgive me if I beat my chest, smile ear-to-ear, and call last night a smashing success. My pride is not for myself alone, but for something far larger than me. Something of which I am proud to be a part.

Pictures were taken, video was recorded. As these digital reminders of last night become available, I will be certain to post them here (and at my other blog, www.madtheatrics.blogspot.com).

Ladies and gents, I'm having the time of my life!

(BTW - the happy looking fellow at the top pf this entry is a puppet version of Spike, our company mascot. He too made his debut last night.)

29 April 2008

So. Here we go!

I am co-emcee'ing the event, along with our lovely and talented Artistic Director, Phil Kelly.
This night is going to be either insanely entertaining or entertainingly insane. I'm not entirely sure which. The surprises we have in store ... just you wait!

I can tell you this much: leggy dancing girls. That's right. Leggy dancing girls. And if that's not your cup of tea, how about this: Jim Martyka. That's right. Jim "what girl wouldn't" Martyka. We've got jokes, we've got songs, we've got high art and low-brow humor. This is such an incredible hodge-podge of acts, you'll be begging for another night just so you can invite all your friends and show them what a cool person you are. But alas, this show is going up for ONLY ONE NIGHT.

Folks, you don't want to miss this one. And the proceeds are for a good cause: to help us bring kick-ass theatre to Los Angeles. Some of you, I know, say to yourselves "I'd really like to do theatre, but I don't have the time!" By contributing to our efforts, you become a part of them. When Jeff Soroka's visionary take on William Shakespeare's The Tempest opens later this year, you will own some small piece of that. You can help me bring my original work, Pin-Up Girls, to the stage in October.

So tell your friends. Make your reservations. But most importantly, please come. When I'm up on stage cracking wise and introducing acts, I'll be happy to see a few familiar faces in the crowd!


(And for you out-of-towners, you can contribute, too! Visit www.theatreunleashed.com and click on "Support". Any contribution is appreciated!)

18 April 2008

What I've been up to ...



The big show is coming up soon! For more info (i.e. tickets) check out www.theatreunleashed.com!


04 April 2008


(one of) My Latest Obsession(s): Suitcase Drum Kits


I'm trying to remember when I first became aware of these things. It may have been on the bonus DVD that came with the Barenaked Ladies' "Everything to Everyone" CD. Drummer Tyler Stewart played a Suitcase drum kit on an all acoustic set, prompting someone (maybe Ed Robertson?) to say, "One day we'll have to buy you a real drum kit."


As far as I can tell, the suitcase drum kit is used primarily in bluegrass/old timey/ragtime music. Also it's used by buskers, due to it's compact size and ease of transport. Here are a few pix:


Dave Harris, a busker from Canada.

The Woody Pines from Ohio. I befriended them on MySpace ages ago. Great sound.

I guess they're used by rockabilly groups, too. This is The Hightown Crows of the UK.
And finally, a great video of one of these things in action. They sound pretty damn good!


The centerpiece (and namesake) of the suitcase drumkit is the suitcase bass drum (or "kickdrum".) (Here's a link to a guy who provides instructions for building one of these things. [UPDATE:  Dead link!  Try this tutorial.)
I'd like to know more about the history of this instrument ... I imagine it was invented by some hobo in 1910 who wanted to accompany his harmonica blowing and banjo plucking friends. I can just see 'em, sitting around a fire, waiting for the mulligan stew to warm up, stirring up a ruckus under a full moon.

24 March 2008

Marionettes vs. Hand Puppets

Saturday I performed with a certain children's marionette show (whose name I omit only because this blog is sometimes loose and free with profanity [not to mention links to disgusting videos made by Eli Roth,] and I don't want kids to Google the name and wind up here.) This was the official "coming out party" for the "TTs", and we performed a 15 minute, high energy, all singing-all dancing set. It was very well received! And I believe it will lead to further gigs.

I am by no means an expert marionette manipulator. My co-puppeteers, Mirna and Jonathan, they are really top-notch. I've learned a lot from working with them and watching them. I have discovered that many of the same principles involved in manipulating hand puppets translates to marionettes. But there are some major differences.

First and foremost is the puppeteer's relationship to the puppet. This almost goes without saying, but the implications are quite interesting in practice. With a hand puppet, you are almost always positioned below the puppet. With a marionette, you are always positioned above.

For a tall guy like me, marionettes are instantly easier to manipulate, if only because I don't have to keep my big, stupid head down. How many times has my big, stupid head bobbed up into frame or over the top edge of a screen? Too many to count.

Also, with hand puppets your hand is elevated for extended periods. The blood rushes from your fingertips, your arm gets strained ... it's painful after a while. With marionettes, you're holding them up. Yes, there is still a considerable amount of strain on your arms, but most of the muscular strain seems to center on the upper back, around the shoulders. And you can easily shift a marionette from hand to hand during performance, something you just can't do with a hand puppet.

I find it easier to keep an eye on my puppet and my performance with the marionette. I don't know why, but looking down is easier than looking up for me. Maybe it's because the looking up is oftentimes accompanied by contorting myself to fit under a piece of furniture. Hmm.

The principles of eye-focus and lip-sync are the same. The best bit of advice ever passed my way on eye-focus came from Disney's master puppeteer Jeff Conover who told me and a crew of new recruits to the House of Mouse to drop the downstage ear when looking to the side. This principle applies to marionettes, and is quite effective.

There are some things a hand puppet can do better than a marionette. The big thing is with a hand puppet you have instant control over what your puppet is doing. You don't have to work with (and against) gravity to manipulate the puppet. I can move an arm rod and know exactly where my puppet's hand is going. With the marionette, it's a more delicate operation. I don't know quite how to describe it ... it's like there's more physics involved in the action of moving the marionette's arm.

Although the marionette is far more mechanical than your run-of-the-mill hand puppet(i.e. more moving parts), marionettes have a sublime gracefulness. It's a beautiful artform, and I'm happy to have the opportunity to work in it.

14 March 2008

What the hell happened to Seth Godin?

From his recent blog entry, "The Needle in a Haystack Problem":
Google is amazing partly because it goes so far in helping with the haystack problem. Want a part for your 1957 drill press? You can find it on Google.

But Google doesn't help with finding experts when the problem is hard to define, or when interactivity is required. And just about any solution you can dream up has a friction problem: once the system is in place, it will get used too much, by too many questioners, and suddenly it won't be interesting enough for the masses to listen. For example, Craigslist suffers from a decreasing signal to noise ratio (it's a lot less fun to browse than it used to be).
As a matter of fact, Google does "help with finding experts when the problem is hard to define, or when interactivity is required." Pamela and I bought a used Saturn last year that turned out to be more of a "project car" than we have bargained for. It had something wrong with it, something hard to define. We googled the symptoms, and found http://www.saturnfans.com/. Saturn Fans has a forum devoted to interactive troubleshooting of mechanical problems. I've seen where people have even shot video of of their running car, uploaded it to YouTube, and solicited advice on how to fix that pinging noise, or whatever it was.

Google is not a panacea. It's merely a gateway. True, if no one has established a destination, you're pretty much SOL. My Mistubishi's transmission acted up last year as well, and I searched for a forum similar to the Saturn forum. Nonesuch exists.

But hey ... isn't that why Seth Godin started Squidoo? So that people could find and fill those niches? He references this at the beginning of his blog entry, for crying out loud!

You know what I think the problem is? We have grown to expect that the universe of knowledge is 1) one click away and 2) absolutely free of charge. We forget that we live in a world where individuals aggregate content provided by other individuals, and this body of information we call knowledge. When someone hasn't taken the time to aggregate that content for us, well then. It's time to post a bitchy blog about how unfair life (or Google) is, rather than seeking out example of where it's done right, and attempting to duplicate those successful actions to satisfy an overlooked need.

Then Seth drops this gem:
Let's say, for example, I was an executive recruiter. Surely, I would benefit from interrupting every person on the planet to advertise a great new job. But I couldn't do it every day or every hour...
I don't even know what to say. This statement flies in the face of everything I thought Seth stood for. An executive recruiter would benefit from blasting every person on the planet? Even my Grandmothers in Arkansas? My sister-in-law's toddler? The guy who sold me a cheeseburger yesterday?

Weak, Seth. Weak.
Her iz Pipr. Shez not teh Doodlebug. But shez pritee gud, anyway.

funny pictures
moar funny pictures

13 March 2008

And now for something completely different:
funny pictures
moar funny pictures
Check out more Doodlebug mania here.

11 March 2008

I've been hearing a growing amount of bellyaching over check cashing services. Today, Seth Godin says (in a blog about 'fear'):

  • Why do people struggling for an income end up using an expensive check cashing service when the bank right next door will let them have a checking account for free?
You want to know why, Seth? Because you can't put a lien on it, and you can't be turned down if you've written bad checks in the past.

Look, I think Seth Godin is the bee's knees, but this has to be the most ignorant thing he's ever written. His argument is essentially "what? Have they no bread? Why then, let them eat cake!"

When Pamela and I first moved out to L.A., we managed to overdraft funds from two bank accounts. A simple clerical error on our part resulted in a few overdraft fees. We've all been there, right? Add to that the expense of moving halfway across the country, the fact that only one of us had a job lined up in L.A., and the substantial increase in our cost of living (our rent in L.A. was almost twice what we paid in St. Louis.) We resolved the issue, but due to our altered financial position it took us two years to do so.

I'm not saying all this for any kind of pity, but just to show how easy it is to work yourself into a messed-up situation. Our situation was our situation. We took responsibility for it and fixed it. But were it not for the check cashing place around the corner from our apartment, things would have been much stickier.
I think in every case the answer is the same: Internal noise. [I got a few notes about check cashing services, by the way. In many cities, there are banks that have sensible policies for low income customers, and most jobs that use a payroll service like ADP offer direct deposit. The combination would save a large number of people a lot of time and money, and my point isn't that there are enough financial services available to the less fortunate (there aren't) but that if it weren't for a fear of banks, plenty more people would take advantage of the services that are available. $5 a week for check cashing might account for 30% of someone's disposal income, which is a sin.]
I call 'bullshit'. Those of us who have actually used check cashing services, and I would venture to say Seth has not, did not do so out of 'fear.' Many of us did so -- and continue to do so -- out of some neccesity.

And there is some benefit to this. Look, when you're living hand-to-mouth, and your resources are limited, living on a cash basis actually makes sense. You can't spend what you don't have, and you have to keep your priorities straight. "Checking account" plus "modest means" can easily equal bounced checks, and then you're not talking "$5 a week", you're talking overdraft fees in excess of $20 a pop. So god help you if the last item that clears was the one large purchase you made, and the ones that bounce are $5 here, $10 there. I think B of A's maximum number of overdraft items is 7. So in such a case we're talking at least $140 in fees.

(BTW, even banks charge to cash checks for non-customers, $5 last time I checked. This is a relatively new phenomenon, one no doubt fueled by the fact that people aren't idiots, and if a bank will cash the thing for free, why go to a check cashing place? Check cashing places offer other services, such as pre-paid debit cards, Western Union, and pay day loans. I don't recommend the latter, but if the bank won't approve a small loan due to credit issues, what choice do you have?)

What truly astonishes me about Seth's blog is that he is endorsing a brown cow, banks, instead of addressing an actual need, and proposing/seeking out a purple cow: a check cashing place that doesn't suck.

I can see how using the check cashing service becomes a routine, something that some people never break out of. I believe the answer is better education. Remember "home ec?" How about teaching kids how to budget and stick to that budget, and little by little improve a bad financial situation? Teach them how credit ratings and lines of credit function, and how to avoid financial pitfalls?
I'm not endorsing check cashing places. They do suck. They are far from ideal. But when you need them, they're a godsend. A piece of paper with a dollar amount on it is worthless if you can't convert it to cold hard cash.

10 March 2008

It's been a busy few weeks around the Moore house!
  • Pamela's burlesque career is building up steam. Four performances this month, and her Miss Exotic World entry video to be shot this week. This means costumes, people! I've never seen her sew so much. Our Singer sewing machine has seen more use in the past month than in the [deleted so as to hide our true ages] years since we bought it.
  • We've been building a theatre company! Theatre Unleashed by name, and populated with many wonderful and talented people we've gotten to know over the past few years. I'm President pro tem of the Board of Directors!
  • The children's marionette project I'm involved in is gearing up for a HUGE public performance. I really love working with marionettes, almost more than hand puppets. I'll have to blog about the differences (and similarities) some day soon.
  • I'm still taking film classes! I actually had to drop one of them, because it was interfering with the burlesque schedule. Thursday night is a good night for Burlesque.
  • I'm making my burlesque debut this week! Oh, don't worry. I'm not pulling on a banana hammock with one strategically placed tassel. I'm building and performing eight singing spermatozoa puppets, an accompanyment to Pamela's number at Bunnylingus this Thursday.
  • I'm trying to get a draft of Pin-Up Girls done. This is a play I've been working on for a couple of years, set backstage at a burlesque show in WWII-era San Francisco.
As busy as I've been, I have had time to grow a moustache:


Then Pam made me shave.